The corpse of an unidentified woman is found at the scene of a bloody and bizarre homicide. The sheriff finds no signs of forced entry, suggesting that the victims were trying to escape from the residence.
Emma visits her boyfriend, Austin, and his father, Tommy, who is the coroner in their small town. Tommy explains to her that coroners in the past used to tie bells to bodies to make sure they were actually dead, not comatose. The sheriff arrives with the mysterious body, dubbed Jane Doe, and tells Tommy that he needs the cause of death by morning. Austin postpones for a few hours his date with Emma to help Tommy.
Tommy and Austin perform the autopsy on Jane Doe and quickly become confused by what they find. There are no external visible signs of trauma, but her wrist and ankle bones had been shattered. As well, her tongue has been crudely cut out, one of her molars is missing, her lungs are blackened as though she had suffered third degree burns, and her internal organs reveal numerous cuts and scarring. Jimsonweed, a paralyzing agent not native to the area, is found in her stomach. The condition of much of the body suggests that death had just occurred, while cloudiness of the corpse’s eyes suggests that she had been dead for a few days.
Other mysterious events occur. The radio begins to spontaneously change channels, and Austin hears sounds and believes he sees people standing in the morgue’s hallway. He also finds their cat mortally wounded, hiding in an air duct. News reports on the radio state that a severe storm is about to hit the area, but Tommy and Austin decide to stay and finish the autopsy.
Tommy finds the woman’s missing tooth wrapped in a piece of cloth in her stomach. The cloth has Roman numerals and letters as well as an odd diagram. Similar symbols are found on the inside of her skin. The lights in the room suddenly explode. During the confusion, they realize that other corpses in the morgue have gone missing. They decide to leave, but the elevator does not work and a fallen tree is blocking the exit door. An unseen figure attacks Tommy in the bathroom, leaving bruises on his body.
In the near future, humanity has been ravaged by a mysterious fungal disease (a mutation of Ophiocordyceps unilateralis). The afflicted are robbed of all free will and turned into fast, mindless flesh-eaters, referred to as ‘hungries’. Humankind’s only hope is a small group of hybrid, second generation children who crave living flesh but retain the ability to think and learn. The children go to “school” at an army base in the Home Counties, where they are experimented on by Dr. Caroline Caldwell. Helen Justineau is responsible for educating and studying the children. The children are prisoners, but humanized by Helen to the dismay of Sgt. Eddie Parks. Helen treats the children fairly, growing particularly close to a polite, exceptional girl named Melanie. After Melanie reads her own story to Helen, Helen is overcome with emotion and strokes the girl’s head. Parks bursts in and rebukes Helen; he rubs off a “masking gel” on his arm, and then holds the area near a child, evoking a violent, animalistic response which then spreads to the other children
As punishment, that evening Parks leaves Melanie restrained in her wheelchair. Helen visits Melanie in her cell and tries to release her, but Melanie starts snapping and trying to bite Helen. Melanie struggles to restrain herself to impress Helen, but is unable so Helen flees the cell. She drops her blocker lotion by the door, which is discovered later by Dr. Caldwell.
Movie Review: Wind River
Wind River is a 2017 American neo-western murder mystery thriller film written and directed by Taylor Sheridan. The film stars Jeremy Renner and Elizabeth Olsen as a U.S. Fish and Wildlife Service tracker and an FBI agent, respectively, who try to solve a murder on the Wind River Indian Reservation in Wyoming. Gil Birmingham and Graham Greene also star (Wikipedia).
Plot: Cory Lambert is a wildlife officer who finds the body of an 18-year-old woman on an American Indian reservation in snowy Wyoming. When the autopsy reveals that she was raped, FBI agent Jane Banner arrives to investigate. Teaming up with Lambert as a guide, the duo soon find that their lives are in danger while trying to solve the mystery of the teen’s death.
Trailer: Wind River
It has been a while since I have seen a movie that didn’t involve or revolve around war, super heroes fighting a war, a talking raccoon, or a space ship. This is just good old fashioned story telling about a murder that is going to be tough to solve. The story pits a jaded fish and wildlife expert with a green FBI agent with no field experience against the backdrop of the Wyoming landscape, which becomes an essential character in story.
The purist in me loves the elements of literary storytelling as it pits man vs nature as the story opens with a young Indian girl running for her life. The temperature is below zero, she is barefoot, and the weather is so cold her lungs explodes. A true warrior like her people, she ran six miles in that weather to escape a group of men who used her simply because they were bored.
The plot thickens as we come face to face with man vs society with the same white men who feel entitled to take what they wants simply because the local officials have no jurisdiction on the federal drilling site where they work. One weekends, the band of brothers ride into town and pick and young Indian woman for their amusement. Cody Lambert’s daughter has been the victim of such a crime, having died several years before under similar circumstances.
Cody is not your typical hero in this story since he is face to face with his worst enemy – himself. In order to bring peace to his own heart and in his own head, he has to help solve this murder. It is not redemptive in the sense that he finds his daughter’s killer, but he is able to bring closure to his friend, who is the father of the young woman from the opening scene. A young woman, who was friends with his daughter. In the process, he also saves the life of the FBI Agent, and possibly his soul.
Wind River is a great date night movie with enough action to keep you entertained, as well as enough slow spots to jump up and grab a beer without missing too much. I give this movie four strokes of my pen on a scale of five.
I enjoyed it. I hope you will as well.
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I don’t know why, but I laughed so hard on at this promo that I have to see this movie. I think I may treat myself tomorrow and go and see it.
That and a find out about that “push pop” scene.
I can not help it. I laughed hard on this clip. Marlon Wayans is back and just as silly as ever with the 50 Shades of Black spoof. Look at this trailer and tell me if you think it is worth seeing. Fifty Shades of Black also stars Jane Seymour, Mike Epps, Fred Willard and more.
I love movies. I love the intricacies, the formality, but it is the editing which makes the movies great. Some genius decided to pull dance scenes from the Golden Age of Hollywood. We have everything from Fred Astair in Top Hat, to Gene Kelly in Singing in the Rain, and the number one dance scene of all time featuring the Nicholas Brothers in Jump & Jive. This is simply downright awesome.
The lack of diversity in casting in Hollywood is coming under some closer scrutiny as of late. The latest Hollywood blockbuster to roll under the bus is Lionsgate’s big budget release of Gods of Egypt featuring Gerard Butler, Geoffrey Rush, Nikolaj Coster-Waldau and Brenton Thwaites. Yeah, each of the wonderful actors are Caucasian. The problem is, the majority of residents of Egypt are not. Hell it is set in Africa and should have at least two black people in the leading roles, but alas it is black a lacking.
Let the blacklash begin.
Yeah, the blacklash is so big, even Bette Middler got in on it.
This bums me out because it looks like it is going to be a great movie, but now I have to protest that shit. On principle.
Look at this. This looks awesome. I think I will protest by getting at Red Box instead going to the movies. It’s my logic but it works.
Lionsgate did issue a statement on Friday, obtained by The Hollywood Reporter, addressing the casting decisions.
Lionsgate: We recognize that it is our responsibility to help ensure that casting decisions reflect the diversity and culture of the time periods portrayed. In this instance we failed to live up to our own standards of sensitivity and diversity, for which we sincerely apologize. Lionsgate is deeply committed to making films that reflect the diversity of our audiences. We have, can and will continue to do better.
Proyas: The process of casting a movie has many complicated variables, but it is clear that our casting choices should have been more diverse. I sincerely apologize to those who are offended by the decisions we made.
Yeah, that is going to work. Getting in bus, starting engine….